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Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
In 1962, based on his dream chord, Young wrote The Second Dream of the High-Tension Line Stepdown Transformer. One of The Four Dreams of China, the piece is based on four pitches, which he later gave as the frequency ratios: 36-35-32-24 (G, C, +C#, D), and limits as to which may be combined with any other. [21]
Kees Wieringa graduated from the Amsterdam Conservatory in Amsterdam in 1986. He has built an international career over the years with his piano recitals and compositions. [1] [2] [3] He is known as an ambassador for the work of the Bergen composer Simeon ten Holt, and for supporting the music of Jakob van Domselaer [4] Wieringa is someone looking for an adventure: "If there is a review over ...
Dream chord on G Play ⓘ.. The dream chord is a chord that is used prominently in the works of La Monte Young.It is made up of the pitches G-C-C♯-D. [2] [3] The chord is prominently featured in Young's compositions for Brass (1957), Trio for Strings (1958), and The Four Dreams of China (1962).
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Archibald Joyce (25 May 1873 – 22 March 1963), born Arthur Joyce, [1] was an English light music composer and bandleader of the early 20th century. He is known for his popular short waltzes for dancing, such as Dreaming, Songe d'Automne (Dream of Autumn) and Vision of Salome.
Evans biographer Peter Pettinger notes, "There is a hazard attached to combining piano and guitar, both essentially chordal instruments. Although jazz musicians use alternative chords with ease, the simultaneous choice of two valid but different chords may well not work. Evans and Hall had the intelligence and mutual awareness to escape this snare.
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