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The Great Wave off Kanagawa is also the subject of the 93rd episode of the BBC Radio series A History of the World in 100 Objects produced in collaboration with the British Museum, which was released on 4 September 2010. [86] A replica of The Great Wave off Kanagawa was created for a documentary film about Hokusai released by the British Museum ...
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More than 100 pages use this file. The following list shows the first 100 pages that use this file only. A full list is available. 1832 in art; A History of the World in 100 Objects; Art; As/Is; Blue; Culture of Japan; Early modern period; Edo period; History of Asia; Hokusai; Japanese art; Pacific Rim (film) Prussian blue; Storm; Thirty-six ...
Rough Waves (Japanese: 波濤 図 屏風) is a painting by the Japanese artist Ogata Kōrin, on a two-panel byōbu (folding screen). The work was created c. 1704 – c. 1709, and depicts a swirl of stormy sea waves.
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
Waves at Matsushima, also named Pine Islands, is a pair of Japanese landscape paintings on two six-fold screens, made by artist Tawaraya Sōtatsu in the 1620s. They were painted with ink, color, gold, and silver on paper.
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
The term New Wave was coined after the French Nouvelle vague, a movement which had challenged the traditions of their national cinema in style and content, countering established narratives and genres with "the ambiguous complexities of human relationships" and polished techniques with deliberately rough ones, [5] and introducing the theory that directors should be the auteurs of their films.