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Gravediggaz performing in 1997. The group's first album was originally titled Niggamortis; however, this potentially risqué title was changed to 6 Feet Deep for the American market (European versions of the album retained the original title, and also included the bonus track "Pass the Shovel"); it was released on August 9, 1994.
Gravediggaz is an American hip hop group from New York notable for pioneering the horrorcore lyrical style. Albums. Studio albums. Year Title Chart positions U.S. U.S
6 Feet Deep (also titled Niggamortis in some regions) is the debut album of the American hip hop supergroup Gravediggaz.Formed by former Tommy Boy Records artists Prince Paul, RZA, Frukwan and Poetic, the group utilized horror-themed imagery and lyrics combined with black comedy and satire to vent their frustrations with the hip hop record industry.
It was announced that Myspace lost 12 years worth of content in a server migration gone wrong. So that meant any songs, photos and videos uploaded to the site between 2003-2015 were straight up ...
The Pick, the Sickle and the Shovel is the second studio album by hip hop supergroup Gravediggaz. [3] [4] Released on September 16, 1997, [5] via Gee Street, V2 and BMG Records, the album has a more socially conscious sound and is considerably calmer than its predecessor; it features heavy production input by the RZA and his production team the Wu Elements.
Anthony Ian Berkeley (November 15, 1964 – July 15, 2001) better known as Poetic, was an American rapper and producer.He was also a founding member of the hip-hop group Gravediggaz, for which he used the alias Grym Reaper.
While 2008 saw a monthly increase of about 718,000 users between November and December for the top game, 2009 has a much lower number of about 91,000, which shows how MySpace's user base has ...
"Nowhere to Run, Nowhere to Hide" is the second single released from the Gravediggaz' debut album, 6 Feet Deep. Produced by the group's producer, Prince Paul (The Undertaker), "Nowhere to Run, Nowhere to Hide" was a minor hit on the Rap charts, where it peaked at 32. The song interpolates Martha and the Vandellas "Nowhere to Run".