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Beauty Is the Word is Tennessee Williams' first play. The 12-page one-act was written in 1930 while Williams was a freshman at University of Missouri in Columbia, Missouri and submitted to a contest run by the school's Dramatic Arts Club. [1]
Download as PDF; Printable version; ... The Magic Tower and Other One-Act Plays; ... The Notebook of Trigorin; O. List of one-act plays by Tennessee Williams; Orpheus ...
The Magic Tower and Other One-Act Plays is a collection of 15 plays, seven of them previously unpublished, by American playwright Tennessee Williams.Published by New Directions in New York City in 2011, Williams' scholar Thomas Keith edited the volume and provided the critical notes while playwright Terrence McNally, winner of four Tony Awards, wrote the foreword.
Auto-da-Fé is a one-act 1941 play by Tennessee Williams. The plot concerns a young postal worker, Eloi, whose sexuality is repressed by a rigidly moralistic mother. The plot concerns a young postal worker, Eloi, whose sexuality is repressed by a rigidly moralistic mother.
Williams wrote more than 70 one-act plays during his lifetime. The one-acts explored many of the same themes that dominated his longer works. Williams's major collections are published by New Directions in New York City. American Blues (1948) Mister Paradise and Other One-Act Plays (2005) Dragon Country: a book of one-act plays (1970)
In 1976, Tennessee Williams wrote Creve Coeur, a one-act play he considered a companion piece to Demolition Downtown, a short work that had been published in Esquire in 1971. Craig Anderson, director of the off-Broadway Hudson Guild Theatre in New York City, read it in 1977 and agreed to stage it.
Suddenly Last Summer is a one-act play by Tennessee Williams, written in New York in 1957. [1] It opened off Broadway on January 7, 1958, as part of a double bill with another of Williams' one-acts, Something Unspoken (written in London in 1951).
The Traveling Companion and Other Plays is a collection of experimental plays written by American playwright Tennessee Williams and published by New Directions and in New York City in 2008. [2] It is edited by Williams scholar Annette J. Saddik , [ 3 ] who provides the introduction.
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