Search results
Results from the WOW.Com Content Network
These procedures are exercised from the outside and function as systems of exclusion, insofar as they concern the part of the discourse that puts power and desire into play. The three great systems of this type are: the prohibited word, the division of madness and the will to truth. [9] Prohibition: definition of what can be said in each ...
Foucault sees power as the means for constituting individuals’ identities and determining the limits of their autonomy. This reflects the symbiotic relationship between power (pouvoir) and knowledge (savoir). In his study of prisons and hospitals, he observed how the modern individual becomes both an object and subject of knowledge.
The Hermeneutics of the Subject is a lecture course originally given by the French philosopher and historian Michel Foucault at the Collège de France in the years 1981–1982. The course details Foucault's elaboration of such concepts as "practices of the self" and the " care of the self ", as manifested in what Foucault refers to as their ...
Foucault's introduction to the epistemic origins of the human sciences is a forensic analysis of the painting Las Meninas (The Ladies-in-waiting, 1656), by Diego Velázquez, as an objet d'art. [6] For the detailed descriptions, Foucault uses language that is "neither prescribed by, nor filtered through the various texts of art-historical ...
Soon after his death, Foucault's partner Daniel Defert founded the first national HIV/AIDS organisation in France, AIDES; a play on the French word for "help" (aide) and the English- language acronym for the disease. [171] On the second anniversary of Foucault's death, Defert publicly revealed in The Advocate that Foucault's death was AIDS-related.
[15] Foucault traces the role of discourse in the legitimation of society's power to construct contemporary truths, to maintain said truths, and to determine what relations of power exist among the constructed truths; therefore discourse is a communications medium through which power relations produce men and women who can speak.
How far Foucault's fascination with intense experiences goes in his entire body of work is the subject of debate, with the concept arguably being absent from his later and more well known work on sexuality and discipline, as well as strongly associated with the cult of the mad artist in Madness and Civilization.
The world itself is text; a reference to a pure meaning prior to language cannot be expressed in it. [38] As he stressed, "the subject is not some meta-linguistic substance or identity, some pure cogito of self-presence; it is always inscribed in language". [39] Michel Foucault challenged the foundational aspects of Enlightenment humanism. [40]