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Chocolate Jar with Iron-Locked Lid is a piece of earthenware with tin-glaze. It was created in Puebla, Mexico, sometime between 1725 and 1775. It was made in the style of Talavera poblana developed out of the tradition in Talavera, Spain, and was also influenced by Chinese ceramic traditions. [1] This vessel was used to house cacao beans.
A jar is a rigid, cylindrical or slightly conical container, typically made of glass, ceramic, or plastic, with a wide mouth or opening that can be closed with a lid, screw cap, lug cap, cork stopper, roll-on cap, crimp-on cap, press-on cap, plastic shrink, heat sealed lidding film, an inner seal, a tamper-evident band, or other suitable means.
Detail on a jar cover molded into a human head. Even though the burial jars are similar to that of the pottery found in Kulaman Plateau, Southern Mindanao and many more excavation sites here in the Philippines, what makes the Maitum jars uniquely different is how the anthropomorphic features depict “specific dead persons whose remains they guard”.
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
Millicent Rogers Museum Hopi water canteen with kachina design, 1890, collection of the Cleveland Museum of Art Ancestral Pueblo, Flagstaff black on white double jar, AD 1100–1200 Pueblo pottery are ceramic objects made by the Indigenous Pueblo people and their antecedents, the Ancestral Puebloans and Mogollon cultures in the Southwestern ...
Chu Đậu village in Hải Dương province was the major ceramic manufacturer [26] From 1436 to 1465, China’s Ming dynasty abruptly ceased trade with the outside world, creating a commercial vacuum that allowed Vietnamese blue-and-white ceramics to monopolize the markets for sometimes, especially in Maritime Southeast Asia.
A meander or meandros [1] (Greek: Μαίανδρος) is a decorative border constructed from a continuous line, shaped into a repeated motif. Among some Italians, these patterns are known as "Greek Lines".
Decorative Lower Egyptian papyrus flowers and Upper Egyptian lilly ornaments are beneath the seat. A sing depicting the unification of Upper and Lower Egypt is also present on the underside of the chair. Both of the legs have lion's heads as a capital. A single golden sheet would have been beaten and worked around a wooden core.
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