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In 2008, John Hudson, scholar and theatre producer, introduced the idea that Lanier wrote the works of Shakespeare. [2] [5] [6] Hudson found similarities between the works of Shakespeare and Lanier's poetry book Salve Deus Rex Judaeorum. He also noted her educated background and cosmopolitan upbringing as support of the idea.
Orville Ward Owen. Dr. Orville Ward Owen (January 1, 1854 – March 31, 1924) was an American physician, and exponent of the Baconian theory of Shakespearean authorship. Owen claimed to have discovered hidden messages contained in the works of Shakespeare/Bacon.
A musical The Dark Lady by Sophie Boyce and Veronica Mansour is in development, depicting the "what if" scenario whereby Lanier uses William Shakespeare's name in order to have her plays seen. The musical has been developed at the Eugene O'Neill Theater Center (2023) and Goodspeed Musicals (2024) with a cast of Broadway and Off-Broadway favourites.
Anthony Holden says that the book became "something of a publishing phenomenon" – a 750-page survey of Shakespeare which gained bestseller status and drew widespread attention to its author. "If his analyses are boldly colloquial," says Holden, "at times so sounding almost as if they were dictated, his insights are unfailingly original and ...
Oxfordian researchers believe that the play is an early version of Shakespeare's own play, and point to the fact that Shakespeare's version survives in three quite different early texts, Q1 (1603), Q2 (1604) and F (1623), suggesting the possibility that it was revised by the author over a period of many years.
The first book by Charlotte Stopes on Shakespearean matters was The Bacon/Shakespeare Question (1888), which examined attitudes on particular details found both in Bacon's works and in those attributed to Shakespeare. Mrs Stopes concluded that there were fundamental differences, arguing that Bacon was not the author.
1603–1606 [8] First published in the First Folio: There are "fairly clear allusions to the play in 1607." [9] The earliest account of a performance of the play is April 1611, when Simon Forman recorded seeing it at the Globe Theatre. [10] The text of Macbeth which survives has plainly been altered by later hands.
The New Shakespeare was published between 1921 and 1969. [1] The series was edited by Arthur Quiller-Couch and J. Dover Wilson. [1]The earlier volumes of the series contain critical introductions by Quiller-Couch (signed "Q") and written in a belles lettres style that, according to R. A. Foakes in The Oxford Handbook to Shakespeare (2003), have been "largely forgotten".