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According to Marija Gimbutas, the Vinča culture was part of Old Europe – a relatively homogeneous, peaceful and matrifocal culture that occupied Europe during the Neolithic. According to this hypothesis its period of decline was followed by an invasion of warlike, horse-riding Proto-Indo-European tribes from the Pontic–Caspian steppe . [ 40 ]
A modern drawing of a clay vessel unearthed in Vinča, found at a depth of 8.5 m (28 ft). The Vinča symbols [a] are a set of undeciphered symbols found on artifacts from the Neolithic Vinča culture and other "Old European" cultures of Central and Southeast Europe.
The Vinča houses at Pločnik had stoves and special holes specifically for rubbish, and the dead were buried in cemeteries. People slept on woollen mats and fur and made clothes of wool, flax and leather.
These figurines show female bodies combined with a bird's head. The interpretation as "goddess" is part of Gimbutas' program of feminist archaeology depicting the European Neolithic as a "gynocentric" culture that would be ousted by the "patriarchal" Indo-European cultures with the onset of the Bronze Age.
Vinča-Belo Brdo (Serbian: Винча-Бело брдо) is an archaeological site in Vinča, a suburb of Belgrade, Serbia.The tell of Belo Brdo ('White Hill') is almost entirely made up of the remains of human settlement, and was occupied several times from the Early Neolithic (c. 5700 BCE) through to the Middle Ages.
Map of the Vinča culture according to Chapman, John (1981) The Vinča culture of south-east Europe: Studies in chronology, economy and society (2 vols), BAR International Series, 117, Oxford: B.A.R, p. 189 ISBN: 0-86054-139-8. Date: 16 September 2010, 16:27 (UTC) Source: Own work. This file was derived from: Blank Map of Europe -w boundaries.svg
A high level of craft skill and trade is evident from tons of recovered copper artifacts and a small amount of gold, as well as pottery and carved items. These include the period's signature female figurines which have raised interest in the role of the society's women, as well as suspected proto-writing. [6] Hamangia culture pottery, c. 4500 BC
This flourishing culture was the largest known in Europe at that time, extending along the Danube into the Balkans and Central Europe. Thousands of clay statuettes have been discovered in the region's Vinca settlements suggestive of the intense magic-religious practices within the Vinca culture.