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Goya's Ghosts is a 2006 biographical drama film, directed by Miloš Forman (his final directorial feature before his death in 2018), [2] [3] and written by him and Jean-Claude Carrière. The film stars Javier Bardem, Natalie Portman, and Stellan Skarsgård, and was filmed on location in Spain during late 2005. The film was written, produced ...
Yard with Lunatics, c. 1794. Francisco José de Goya y Lucientes (/ ˈ ɡ ɔɪ ə /; Spanish: [f ɾ a n ˈ θ i s k o x o ˈ s e ð e ˈ ɣ o ʝ a i l u ˈ θ j e n t e s]; 30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker.
Goya's painting of the massacre, which shows terrified civilians facing a firing squad, was intended to arouse anger and hatred on the part of Spanish viewers. Goya's is a highly romantic picture of a deeply emotional episode. [57] Pablo Picasso's Massacre in Korea (1951) was painted as a protest against the United States intervention in Korea ...
Philip Hofer posits that the illustration on a title page of one of Jean-Jacques Rousseau's volumes influenced Goya's composition in this work, but that Goya ultimately decided not to display this as the frontispiece because it would seem speculative in a political sense [15] (i.e., Rousseau's Social Contract Theory that all men were born free ...
Goya makes the figures come to life by making the Duke lean slightly to one side, with the intense stares of the children and the presence of the two dogs, making this a "typically amusing Goya animation", [3] and which, according to Nigel Glendinning, "gives the painting a strong sensation of mometaneousness so typical of both Velázquez and ...
Loves of a Blonde (Czech: Lásky jedné plavovlásky), also known as A Blonde in Love, is a 1965 Czechoslovak romantic comedy-drama film directed by Miloš Forman that follows a young woman, Andula, who has a routine job in a shoe factory in provincial Czechoslovakia, and her attempts at forging a romantic relationship.
José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a portrait of French film great Jean-Claude Carrière, captured breaking down the paintings and personality of painter ...
Goya did not give names to his Black Paintings. These names are courtesy of art historians. [3] One of the series of Black Paintings Goya painted directly onto the walls of his house sometime between 1820 and 1823, it depicts two men fighting one another with cudgels, as they seem to be trapped knee-deep in a quagmire of mud or sand.
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