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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: ... 0 4 7 t 1 x 9 [7] Major Thirteenth flat ninth flat fifth chord [2]
"Cold Days, Hot Nights" is a song by German pop band Moti Special, released in 1984 as the second single from their debut studio album, Motivation (1985). The song was co-written by Manfred Thiers and Richard Palmer-James, and produced by Moti Special. The song reached No. 3 in West Germany and No. 4 in Switzerland.
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders. [f] [18]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Thelma Houston, who had a 1977 #1 with her version of The Blue Notes' "Don't Leave Me This Way", covered "Wake Up Everybody" for her 2007 album A Woman's Touch. In 2010, the song was covered by John Legend and The Roots. Also featuring Common, and Melanie Fiona, it was the first single taken from their politically themed album 'Wake Up!' [9]
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...