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American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
American Progress, 1872. John Gast (21 December 1842 in Berlin, Prussia – 26 July 1896 in Brooklyn) was a Prussian-born American painter and lithographer.. His most famous work is American Progress (1872); this painting and many of his drawings are found in the Autry Museum of the American West in Los Angeles.
In the United States, Sert painted a mural at the Waldorf-Astoria in New York City, as well as a 1937 mural entitled American Progress at 30 Rockefeller Center. [1] [5] American Progress was commissioned by the Rockefellers to replace Diego Rivera’s mural Man at the Crossroads, which Nelson Rockefeller destroyed because it included an image ...
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The painting is a masterpiece that dramatizes the meeting of nature and civilization, representing the idea of Manifest Destiny and the clash of industrial expansion and nature, as well as Native American culture. [1] [3] The painting depicts Native Americans standing to the left of trees facing a stream, while a small town, a steam-producing ...
The piece was exhibited at the Philadelphia Sketch Club in 1881 and compared to Eakins's work by art critics. [2] Art historian Randall C. Griffin has written of it: "One of the first American paintings to depict the bleakness of factory life, The Ironworkers' Noontime appears to be a clear indictment of industrialization. Its brutal candor ...
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Samuel Loyd (January 30, 1841 – April 10, 1911 [1]) was an American chess player, chess composer, puzzle author, and recreational mathematician.Loyd was born in Philadelphia but raised in New York City.