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Lot's wife (center) turned into a pillar of salt during Sodom's destruction (Nuremberg Chronicle, 1493). The story appears to be based in part on a folk legend explaining a geographic feature. [3] A pillar of salt named "Lot's wife" is located near the Dead Sea at Mount Sodom in Israel. [4]
An angel agreed and the village was thenceforth known as Zoar. When God rained fire and brimstone upon Sodom and Gomorrah, Lot's wife looked back at the burning cities of the plain and was turned into a pillar of salt in recompense for her folly. [13] The sun was risen upon the earth when Lot came unto Zoar.
The King James Version (KJV) and the New Revised Standard Version (NRSV) describe the older surviving daughter as "the firstborn", while the Contemporary English Version (CEV) uses "the older". [5] During the escape from Sodom, Lot's wife is turned into a pillar of salt.
Only Lot and his two daughters are saved. Lot's incestuous relationship with his daughters, which resulted in the births of Ammon and Moab, is also described. PEOPLE: Angels - Lot - men of Sodom - Lot's sons-in-law - Lot's wife - Lot's daughters - יהוה YHWH - Abraham - Moab - Benammi. PLACES: Sodom - Gomorrah - Zoar
Lot in Sodom is a 1933 short, silent and experimental film directed by James Sibley Watson and Melville Webber. Its plot is based on the Biblical tale of the cities of Sodom and Gomorrah , with quotes from the Bible being used for all intertitles .
Lot's Wife and Lot, rock formations in Saint Helena, in the South Atlantic; Lot's Wife, nickname of Long Ya Men, a craggy granite outcrop in Keppel Harbour, Singapore, destroyed in 1848; Lot's Wife, a chalk pillar once part of The Needles formation off the Isle of Wight, UK, until its collapse in 1764; Lot's Wife sea-stack, Marsden, Tyne and ...
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The story, recounted in the Book of Genesis, concerns the family of Lot who have fled the destroyed city of Sodom (visible burning in the background of the painting). Lot's wife disobeyed instructions not to look around and was turned into a pillar of salt – her form is just visible in the left background of the painting.