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One of the most popular motifs were of romanticized, stereotyped Asian, African, Native American, Hawaiian people in exotic (at times inaccurate) settings or costume. Low lighting was sometimes included in the lamp design with small nightlight bulbs. TV lamps, based upon popular chalkware radio lamp designs, quickly became replaced by ceramic.
The aviator Matilde Moisant wearing a swastika square medallion in 1912. The symbol was popular as a good luck charm with early aviators. The discovery of the Indo-European language group in the 1790s led to a great effort by European archaeologists to link the pre-history of European people to the hypothesised ancient "Aryans" (variously referring to the Indo-Iranians or the Proto-Indo ...
Seal oil lamps. The Inuit oil lamps were made mainly of soapstone, but there are also some made of a special kind of pottery. [12] Sizes and shapes of lamps could be different, but most were either elliptical or half-moon shaped. [13] The taqquti or wick trimmers, also known as lamp feeders, were made of wood, willow, soapstone, bone or ivory. [14]
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
The public space is a dramatic focal point, with walls of glass and an open floor plan. Cut-out wooden panels of abstracted forms over 24 clerestory windows provide an unobtrusive yet restrained decorative touch to this lavish space. These recall Native American geometric motifs as well as stylized forms that may be based in nature.
The qulliq, a type of oil lamp, is carved out of soapstone and used by the Inuit and Dorset peoples. [13] The soapstone oil lamps indicate these people had easy access to oils derived from marine mammals. [14] In the modern period, soapstone is commonly used for carvings in Inuit art. [15]
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