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"Lenny" is the tenth and final track on the first Stevie Ray Vaughan and Double Trouble album Texas Flood. [1] The song is in 4/4 time and notated in the key of E flat major (but instruments are tuned down a half-step, so the chordal structure is in E).
Sevendust uses this tuning a half-step down on "Home". Periphery uses this tuning, but tuned 1 step down on "Reptile", The band Architects also use this tuning, but tuned one and a half step down, since their album Lost Forever // Lost Together released in 2014 and Wage War tuned 2 steps down on several songs [58]
The Frankenstrat was tuned down a half-step. "Eruption" begins in the key of A flat and ends on an E flat note that is a twelfth fret, 6th string harmonic processed through a Univox EC-80 echo unit. Inspiration
To tune a guitar from standard tuning to open D tuning, lower the 1st (high-E) string down a full step to D, 2nd (B) string down a full step to A, 3rd (G) string down a half step to F ♯, and 6th (low-E) string down a full step to D. In this tuning, when the guitar is strummed without fretting any of the strings, a D major chord is sounded ...
He followed Davis' song, although he added several twelve-bar sections of improvised guitar soloing, which nearly doubled the length of the song and provided a showcase for his electric guitar style. Although Vaughan performed it in using G fingering, he tuned his guitar one-half step lower; as a result the song is played in the key of G-flat.
The guitars and bass are tuned down a half-step on the Hawkwind version, effectively making the song's key E♭ Major, but are described here as if in standard tuning. The bass follows the root note for all the chords, with a riff on the F♯, based on the A string between the tenth and twelfth frets.
The song is played with the guitar tuned a half-step down, as are many of their Dookie songs. The song is sung as Armstrong is talking or sending a message to his mother, after moving out of her house. In the first verse, he is talking to his mother after three weeks of leaving, telling her that he is scared about being on his own.
Called "a classic Texas shuffle", [2] it has a twelve-bar blues arrangement, notated in the key of E [2] (although with Vaughan's guitar tuned one-half step lower, [3] resulting in the pitch of E ♭) in 4 4 time with a moderately fast tempo. The main guitar figure features a bassline along with muted chord chops to produce a percussive-like ...