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Origami (折り紙, Japanese pronunciation: or [oɾiꜜɡami], from ori meaning "folding", and kami meaning "paper" (kami changes to gami due to rendaku)) is the Japanese art of paper folding. In modern usage, the word "origami" is often used as an inclusive term for all folding practices, regardless of their culture of origin.
Crease pattern for a Miura fold. The parallelograms of this example have 84° and 96° angles. Animation of the folding and unfolding of a Miura-creased material. The Miura fold (ミウラ折り, Miura-ori) is a method of folding a flat surface such as a sheet of paper into a smaller area.
The orizuru (折鶴 ori-"folded," tsuru "crane"), origami crane or paper crane, is a design that is considered to be the most classic of all Japanese origami. [1] [2] In Japanese culture, it is believed that its wings carry souls up to paradise, [2] and it is a representation of the Japanese red-crowned crane, referred to as the "Honourable ...
Jun Maekawa (前川 淳, Maekawa Jun, 1958-) is a Japanese software engineer, mathematician, and origami artist. He is known for popularizing the method of utilizing crease patterns in designing origami models, with his 1985 publication Viva Origami, as well as other paperfolding-related theorems and mathematical analysis.
It is not certain when play-made paper models, now commonly known as origami, began in Japan. However, the kozuka of a Japanese sword made by Gotō Eijō (後藤栄乗) between the end of the 1500s and the beginning of the 1600s was decorated with a picture of a crane made of origami, and it is believed that origami for play existed by the Sengoku period or the early Edo period.
Origami paper used for senbazuru is usually of a solid color, though patterned designs are available. Larger size origami paper, usually 6×6 inches, often has traditional Japanese or flower designs, reminiscent of kimono patterns.
Akira Yoshizawa (吉澤 章, Yoshizawa Akira, 14 March 1911 – 14 March 2005) was a Japanese origamist, considered to be the grandmaster of origami.He is credited with raising origami from a craft to a living art.
In the early 1980s, Professor Chatani began to experiment with cutting and folding paper to make unique and interesting pop-up cards. He used the techniques of origami (Japanese paper folding) and kirigami (Japanese papercutting), as well as his experience in architectural design, to create intricate patterns that played with light and shadow. [3]
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