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Ethnochoreology (also dance ethnology, dance anthropology) is the study of dance through the application of a number of disciplines such as anthropology, musicology, ethnomusicology, and ethnography. The word itself is relatively recent and etymologically means "the study of ethnic dance ", though this is not exclusive of research on more ...
The history of dance is difficult to access because dance does not often leave behind clearly identifiable physical artifacts that last over millennia, such as stone tools, hunting implements or cave paintings. It is not possible to identify with exact precision when dance becomes part of human culture. Dance is filled with aesthetic values ...
An educational film entitled “Dance and Human History” (1976) [10] demonstrates the concepts of the Choreometrics team. [11] This project was the first to adapt Laban-based movement analysis to observation of cultural/geographic differences. It is only one example of Bartenieff’s acute awareness of the differences among peoples of the world.
In 1953, she married Thomas Samuel Kealiinohomoku, and they had one child, Halla, before divorcing in 1963. She was the dance reviewer for the Honolulu Star-Bulletin from 1960 to 1963. In 1969, she published one of her best-known works, "An anthropologist looks at ballet as a form of ethnic dance". [7]
The contents of the Natyashastra, states Susan Schwartz, are "in part theatrical manual, part philosophy of aesthetics, part mythological history, part theology". [9] It is the oldest surviving encyclopedic treatise on dramaturgy from India, with sections on the theory and practice of various performance arts.
The Body Is a Clear Place and Other Statements on Dance. Hightstown, New Jersey: Princeton Book Co. ISBN 978-0-87127-166-2. Helpern, Alice. Martha, 1998; Hodes, Stuart, Part Real – Part Dream, Dancing With Martha Graham, (2011) Concord ePress, Concord, Massachusetts; Horosko, Marian (2002). Martha Graham The Evolution of Her Dance Theory and ...
The ecstatic Kouretes dancing around the infant Zeus, depicted by Jane Ellen Harrison, 1912. Little is known directly of ecstatic dance in ancient times. However, Greek mythology does have several stories of the Maenads; the maenads were intoxicated female worshippers of the Greek god of wine, Dionysus, known for their "ecstatic revelations and frenzied dancing".
Up until the start of the 1900s, dance was considered an integral part of upper class life, but it was not viewed as part of one's education. [16] The 1910s and 1920s saw the rise of dance in colleges and universities. In 1926, the first dance major was created in the University of Wisconsin by Margaret H’Doubler. [12]