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Afrobeat is a genre that developed in the 1960s and 1970s, taking influences from Fuji music and highlife, mixed in with American jazz and funk. Characteristics of Afrobeat include big bands, long instrumental solos, and complex jazzy rhythms. [20] [21] The name was coined by Nigerian afrobeat pioneer Fela Kuti. [22]
Afrobeat (also known as Afrofunk [1] [2]) is a West African music genre, fusing influences from Nigerian (such as Yoruba and Igbo music) and Ghanaian (such as highlife) music, with American funk, jazz, and soul influences. [3]
AllMusic stated: "While continuing along in his tradition of savvy instrumental innovation, Shuffering and Shmiling plays out with the same intensity and voracious soloing that mark other great Africa 70 performances like Confusion, Gentleman, and No Agreement; but the point of departure here is the outward remarks he makes on a touchy topic: religion."
It is a departure from her R&B sound, having a tropical music and dancehall sound, with Latin beat, Afrobeat instrumental, collage of electronic beats, tropicalia-infused rhythms and icy drum patterns as its main instrumentation. Keys uses a hushed tone throughout the song.
Afrobeat, juju, fuji, highlife, makossa, and kizomba are performed in West Africa. West African music has regional variations, with Muslim regions incorporating elements of Islamic music and non-Muslim regions more influenced by indigenous traditions, according to the historian Sylviane Diouf and ethnomusicologist Gerhard Kubik. [15]
Her "Pata Pata" melody was based on an instrumental "Phatha Phatha" by Shumi Ntutu and Isaac Nkosi, which was in turn based on "Noma Kumnyama" by Alson Mkhize. [7] The popular 1956 "Ei Yow Phata Phata" [8] by Dorothy Masuka was distinctly different from Makeba's, [7] but in later years, Masuka made her own recording of the version made popular ...
Art Blakey – drums, timpani, telegraph drum, gong; Ahmed Abdul-Malik – bass; Yusef Lateef – cow horn, flute, tenor saxophone, mbira, oboe; Curtis Fuller ...
The people of the North are known for complex percussion instrument music, the one-stringed goje, and a strong praise song vocal tradition.Under Muslim influence since the 14th century, Hausa music uses free-rhythmic improvisation and the Pentatonic scale, similar to other Muslim Sahelian tribes throughout West Africa, such as the Bambara, Kanuri, Fulani and Songhai.
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