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A button blanket is wool blanket embellished with mother-of-pearl buttons, created by Northwest Coastal tribes, that is worn for ceremonial purposes. "Ceremonial robes and their associated regalia have been among the most spectacular creations of the Indian people of the Northwest Coast of North America. For generations, these robes have served ...
Fanlingpao (Chinese: 翻领袍; pinyin: fānlǐngpáo; lit. 'Lapel robe'), sometimes referred to as kuapao (Chinese: 袴袍) and hufu (Chinese: 胡服) in the Tang dynasty when they feature double overturned lapels, is a type of paofu with lapels. It was categorized as Hufu instead of Hanfu due to its association with clothing of the foreigners ...
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
Occasionally, the collar or lower button would be undone to form lapel robes, [14] [5] a style sometimes referred to as fanlingpao (Chinese: 翻领袍; pinyin: fānlǐngpáo; lit. 'Lapel robe'). This dressing custom of wearing fanlingpao-style robes was later inherited and developed into the yuanlingpao of the subsequent Tang and Sui dynasties. [5]
[81] [61] [82] [83] The robe continued to be worn in the Northern and Southern dynasties by both men and women, as seen in the lacquered screen found in the Northern Wei tomb of Sima Jinlong (ca. 483 A.D); however, there were some minor alterations to the robe, such as higher waistline and the sleeves are usually left open in a dramatic flare.
Paofu (Chinese: 袍服; pinyin: páofú; lit. 'robe'), also known as pao (Chinese: 袍; pinyin: páo; lit. 'robe') [1][2]: 90 for short, is a form of a long, one-piece robe in Hanfu, which is characterized by the natural integration of the upper and lower part of the robe which is cut from a single fabric. [3] The term is often used to refer to ...
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