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Photograph manipulation involves the transformation or alteration of a photograph. Some photograph manipulations are considered to be skillful artwork, while others are considered to be unethical practices, especially when used to deceive. Motives for manipulating photographs include political propaganda, altering the appearance of a subject ...
Image editing encompasses the processes of altering images, whether they are digital photographs, traditional photo-chemical photographs, or illustrations. Traditional analog image editing is known as photo retouching , using tools such as an airbrush to modify photographs or editing illustrations with any traditional art medium .
Kurosawa's habitual method was to edit a film daily, bit by bit, during production. This helped particularly when he started using multiple cameras, which resulted in a large amount of film to assemble. "I always edit in the evening if we have a fair amount of footage in the can. After watching the rushes, I usually go to the editing room and ...
In film and video, a cutaway is the interruption of a continuously filmed action by inserting a view of something else. [1][2] It is usually followed by a cut back to the first shot. A cutaway scene is the interruption of a scene with the insertion of another scene, generally unrelated or only peripherally related to the original scene.
In film and video production, split screen is the visible division of the screen, traditionally in half, but also in several simultaneous images, rupturing the illusion that the screen's frame is a seamless view of reality, similar to that of the human eye. There may or may not be an explicit borderline.
Post-production editing may be summarized by three distinct phases commonly referred to as the editor's cut, the director's cut, and the final cut. There are several editing stages and the editor's cut is the first. An editor's cut (sometimes referred to as the "Assembly edit" or "Rough cut") is normally the first pass of what the final film ...
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