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v. t. e. Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. [1][2] Like in the areas of music and dance, the Indian theatre is also defined by the dramatic performance based on the concept of Nritya, which is a Sanskrit word ...
Mahābhāṣya by Patañjali contains the earliest reference to what may have been the seeds of Sanskrit drama. [5] This treatise on grammar provides a feasible date for the beginnings of theatre in India. [5] Kālidāsa in the 4th-5th century CE, was arguably one of ancient India's greatest Sanskrit dramatists.
About 3 decades later, Horace Hayman Wilson published the first major English survey of Sanskrit drama, including 6 full translations (Mṛcchakatika, Vikramōrvaśīyam, Uttararamacarita, Malatimadhava, Mudrarakshasa, and Ratnavali). These 7 plays — plus Nagananda, Mālavikāgnimitram, and Svapnavasavadattam (the text of which was not ...
The Bhagavadajjukam (Sanskrit; translated as The Ascetic and the Courtesan or The Hermit and the Harlot) is a Sanskrit farce composed in the 7th century CE, usually attributed to Bodhayana. [1] However, inscriptional and scholarly evidence indicate that the play was written by the Pallava king Mahendravarman I, who also wrote a prominent farce ...
Synopsis. Crying of Shakuntala. The protagonist is Śakuntalā, daughter of the sage Viśvāmitra and the apsara Menakā. Abandoned at birth by her parents, Śakuntalā is reared in the secluded hermitage of the sage Kaṇva, and grows up a comely but innocent maiden. While Kaṇva and the other elders of the hermitage are away on a pilgrimage ...
Mattavilasa Prahasana is a satire that pokes fun at the peculiar aspects of the heretic Kapalika and Pasupata Saivite sects, Buddhists and Jainism. The setting of the play is Kanchipuram, the capital city of the Pallava kingdom in the seventh century. The play revolves around the drunken antics of a Kapalika mendicant, Satyasoma, his woman ...
Nagananda (Joy of the Serpents) is a Sanskrit play attributed to emperor Harsha (ruled 606 C.E. - 648 C.E.).. Nagananda is among the most acclaimed Sanskrit dramas. Through five acts, it tells the popular story of a prince of divine magicians (vidyādharas) called Jimútaváhana, and his self-sacrifice to save the Nagas.
Bhana or bhāṇa (Sanskrit: भाण ) (one act monologue Sanskrit plays) In the Vedic literature, there are several references to singing, dancing, music and entertaining performances by professional entertainers. In the Rig Veda there are mantras with pronounced story element in dialogue form – dramatic soliloquy, dialogue and chorus ...