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Double-system recording is a form of sound recording used in motion picture production whereby the sound for a scene is recorded on a tape machine that is separate from the camera or picture-recording apparatus. Double-system recording is the standard procedure on motion pictures that are originally photographed on film. Recording sound-on-film ...
Single system audio is the system of recording sound on film or SOF. There are two methods of recording, the older method, optical and the later method, magnetic. SOF was primarily used for news film prior to the advent of portable videotape recording, but was used until recently for documentary film recording. [1]
The method was then repeated for playback, but with the projectionist hand cranking the film projector. "Single-system" sound recorded sound optically to part of the original camera film, or magnetically to a stripe of magnetic coating along the film edge. [citation needed] "Double-system" sound used independent cameras and sound recorders. The ...
A sound follower to the left of a shadow telecine in the center of the image. Many motion picture cameras do not record audio sound on the film, so in professional film production, there is a need to have the sound recorded and played back on a device that has a double-system recording to tapes, or by any means, for example DAT or Nagra, SD or other audio recording media and then transferred ...
Examples of rope and pulley systems illustrating mechanical advantage. Consider lifting a weight with rope and pulleys. A rope looped through a pulley attached to a fixed spot, e.g. a barn roof rafter, and attached to the weight is called a single pulley. It has a mechanical advantage (MA) = 1 (assuming frictionless bearings in the pulley ...
Most film cameras do not record sound internally; instead, the sound is captured separately by a precision audio device (see double-system recording). The exceptions to this are the single-system news film cameras, which had either an optical—or later—magnetic recording head inside the camera. For optical recording, the film only had a ...
Prior to the introduction of 1/4-inch audio tape, recordings were made on 35mm optical cameras, and later on 16mm or 35mm magnetic stock. The first 1/4-inch recorder capable of recording a synch track to regulate the playback speed of the recording was made by Rangertone and was a variation on the soon-to-come Pilotone system.
At any given point on the tape, any of the tracks on the recording device can be recording or playing back using sel-sync or Selective Synchronous recording. This allows an artist to be able to record onto track 2 and, simultaneously, listen to track 1, 3 and 7, allowing them to sing or to play an accompaniment to the performance already ...
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