Search results
Results from the WOW.Com Content Network
For several months, he struggled with the chorus and even put the song aside for about six months before finally finishing it. [3] However, he was still not confident in the chorus. It was not until he played this song at his home church Soul Survivor, and his pastor told him to play the song more often, that he realized the potential the song ...
The original version of the song does not insert "Lord" in lines 2 and 4 of the chorus, [2] though the Carter version does. Also, the third line of the chorus is phrased as a question in the original, but as a declarative sentence in the Carter version, and the Carter version as written begins the chorus with 'Can' instead of 'Will'.
Allmusic critic Stephen Thomas Erlewine described "Carry on Till Tomorrow" as a "dreamy post-psych pop [tune] driven by strong hooks and harmonies." [6] Rolling Stone critic John Mendelsohn felt that it sounded similar to the Beatles' song "I'll Be Back", but with the addition of the "politely raunchy lead guitar into the middle."
For the Bible tells me so: Little ones to him belong,— They are weak, but he is strong. Jesus loves me—he who died Heaven's gate to open wide; He will wash away my sin, Let his little child come in. Jesus loves me—loves me still, Though I'm very weak and ill; From his shining throne on high, Comes to watch me where I lie. Jesus loves me ...
Gateway Worship performed the song on their album Living for You and added a chorus to the song, calling it "Come Thou Fount, Come Thou King". The hymn appears on Phil Wickham's album 'Sing-A-Long'. This song is also sung by Clark Davis in the film Love Comes Softly and is a recurring background music in the film.
The original recording by Gaye and Terrell peaked at number seven on the Billboard Hot 100 and number-one on Billboard's Hot R&B/Soul Singles chart for five weeks, [1] becoming one of the longest-running number one R&B hits of 1968 and the most successful duet recording of Marvin Gaye's career. It reached #19 on the British singles charts in ...
The song recounts the story of Zacchaeus as reported in Luke 19:1–10. As the song tells of Zacchaeus's attempts to see Jesus by climbing a sycamore tree, there are a series of hand motions that accompany the song. The song is one of the more popular children's Bible songs, [1] and has been featured on numerous Christian children's music ...
Randall described how she composed the song: I got down on my knees and prayed aloud, pleading that our Heavenly Father would let me know the right words. Around 2:00 a.m., I awakened and began to think again about the song. Words came to my mind. … I immediately got up and began to write the words down as they had come to me.