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1750–1775 in Western fashion. A Concert in an Interior by Jan Josef Horemans the Younger of Antwerp, 1764. The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration ...
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style.
Luis Francisco de la Cerda in a lavish red justacorps, c. 1684. The Great Male Renunciation (French: Grande Renonciation masculine) is the historical phenomenon at the end of the 18th century in which wealthy Western men stopped using bright colours, elaborate shapes and variety in their dress, which were left to women's clothing.
Tight lacing.jpg 300 × 409; 61 KB. Categories: Fashion by century. 18th century in the arts. History of clothing (Western fashion) 18th-century fads and trends. Commons category link from Wikidata.
1650–1700 in Western fashion. The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678. Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
Justacorps. A justacorps or justaucorps (/ ˈʒuːstəkɔːr /) [1] is a knee-length coat worn by men in the latter half of the 17th century and throughout the 18th century. It is of French origin, where it had developed from a cape-like garment called a casaque. [2] It was introduced into England as a component of a three-piece ensemble, which ...
A macaroni (formerly spelled maccaroni[1]) was a pejorative term used to describe a fashionable fellow of 18th-century Britain. Stereotypically, men in the macaroni subculture dressed, spoke, and behaved in an unusually epicene and androgynous manner. The term "macaroni" pejoratively referred to a man who "exceeded the ordinary bounds of ...
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