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Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the Chinchini. The weaving of the chinchini is done by the 'Kpaluu', one of the traditional professional in the Dagbon society that has existed until today. The smock made from the Chinchini of Dagbon is the most worn traditional cloth of Ghana.
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These masks showcase an ideal image of an Igbo maiden. This ideal is made up by the smallness of a young girl’s features and the whiteness of her complexion, which is an indication that the mask is a spirit. This whiteness is created using a chalk substance used for ritually marking the body in both West Africa and the African Diaspora.
African dolls across the continent are created for young girls to play with and as a charm to ensure fertility in women. Their shape and costume vary according to region and custom. Frequently dolls are handed down from mother to daughter. Western dolls are popular in Africa and are often dressed with traditional garb.
The International Art and Craft Fair, Ouagadougou – better known by its French name, SIAO (Le Salon International de L Artisanat de Ouagadougou) – is a trade show for art and handicrafts held biennially in Ouagadougou, the capital of Burkina Faso. It is one of Africa's most important arts and crafts trade shows.
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