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The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
This is a list of medieval musical instruments used in European music during the Medieval period. It covers the period from before 1150 to 1400 A.D. It covers the period from before 1150 to 1400 A.D. There may be some overlap with Renaissance musical instruments; Renaissance music begins in the 15th century.
The mandore is a musical instrument, a small member of the lute family, teardrop shaped, with four to six courses of gut strings [2] and pitched in the treble range. [3] Considered a French instrument, with much of the surviving music coming from France, it was used across "Northern Europe" including Germany and Scotland.
French builders were responsible for important further development of the Ruckers-type instrument. The first step, taken in the mid-17th century, was to change the purpose of the second manual in two-manual instruments: whereas in the Flemish school this had been for allowing the player to transpose, the French makers used the second keyboard ...
Performance on period instruments is a key aspect of HIP, such as this baroque orchestra (Photo: Josetxu Obregón and the Spanish ensemble La Ritirata, 2013).. Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical ...
A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered an ancestor of the modern guitar and other instruments like the mandore, bandurria and gallichon. [3] [4] From the early 16th century, a vihuela-shaped (flat-backed) guitarra began to appear in Spain, and later in France, existing alongside the gittern ...
The earliest documented example of the English word 'consort' in a musical sense is in George Gascoigne’s The Princelye Pleasures (1576). [1] Only from the mid-17th century has there been a clear distinction made between a ‘whole’, or ‘closed’ consort, that is, all instruments of the same family (for example, a set of viols played together) and a ‘mixed’, or ‘broken’ consort ...
It is commonly believed to have come to Ulster with English settlers in the early-mid-17th century. Other accounts state that it came to Ireland with the Duke of Schomberg's men of the army of William of Orange during the Williamite war. Having its roots in 17th-century European military instruments, it was originally smaller.