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"The Gods of the Copybook Headings" is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several "ferocious post-war eruptions" of Kipling's souring sentiment concerning the state of Anglo-European society. [1] It was first published in the Sunday Pictorial of London on 26 October 1919.
Where it is a permanent and pensioned opposition, as in England, the quality of its thought deteriorates accordingly. Moreover, anyone who starts out with a pessimistic, reactionary view of life tends to be justified by events, for Utopia never arrives and 'the gods of the copybook headings', as Kipling put it, always return.
"The Gods of the Copybook Headings" "The Grave of the Hundred Head" "Great-Heart" "The Greek National Anthem" "Gunga Din" "Half-Ballad of Waterval" "Harp Song of the Dane Women" "Helen All Alone" "Heriot's Ford" "The Heritage" "The Holy War" "The Hour of the Angel" "The Houses" "Hunting-Song of the Seeonee Pack" "Hyaenas" "Hymn Before Action"
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The collection contains the following short stories: Dayspring Mishandled; The Woman in His Life; The Tie; The Church that was at Antioch; Aunt Ellen
"Boots" is a poem by English author and poet Rudyard Kipling (1865–1936). It was first published in 1903, in his collection The Five Nations. [1]"Boots" imagines the repetitive thoughts of a British Army infantryman marching in South Africa during the Second Boer War.
His poems include "Mandalay" (1890), "Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), "The White Man's Burden" (1899), and "If—" (1910). He is seen as an innovator in the art of the short story. His children's books are classics; one critic noted "a versatile and luminous narrative gift". (Full article...
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