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"In paradisum" (English: "Into paradise") is an antiphon from the traditional Latin liturgy of the Western Church Requiem Mass. It is sung by the choir as the body is being taken out of the church. It is sung by the choir as the body is being taken out of the church.
The organ by Aristide Cavaillé-Coll in La Madeleine, Paris, where the first version of the Requiem was first performed. In 1887–88, Fauré composed the first version of the work, which he called "un petit Requiem " [4] with five movements (Introit and Kyrie, Sanctus, Pie Jesu, Agnus Dei and In Paradisum), but did not include his Libera me.
Note that the Libera Me and the In Paradisum are not part of the text of the Catholic Mass for the Dead itself, but a part of the burial rite that immediately follows. In Paradisum was traditionally said or sung as the body left the church, and the Libera Me is said/sung at the burial site before interment. These became included in musical ...
The most likely lyrics are Latin for "Sufferance on the surface is our sustenance. Through difficulties to honors. Through hardships to paradise", but I would like to be sure. אילן שמעוני 20:10, 7 March 2020 (UTC) Can you (or anyone) make out any of the Latin text? That might be helpful for discerning the meaning.
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]
In 1820 a funeral march and a motet In Paradisum were added. In 1834 the work was prohibited by the archbishop of Paris because of its use of women's voices, [4] and in 1836 Cherubini wrote a second Requiem in D minor for men's chorus to be performed at his own funeral.
The Requiem, Op. 9, is a 1947 (revised 1961) setting of the Latin Requiem by Maurice Duruflé for a solo baritone, mezzo-soprano, mixed choir, and organ, or orchestra with organ.
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]