Search results
Results from the WOW.Com Content Network
Samuel confronted all excuses by pointing out that 'to obey is better than sacrifice' and disobedience 'is like the sin of divination' and arrogance like 'the evil of idolatry' (verses 22–23), so since Saul rejected the word of God, God now rejected him as king (verse 23), not just that his future dynasty was canceled as previously stated. [24]
Saul is almost embracing his vision. The painting depicts this moment recounted in the Acts of the Apostles, except Caravaggio has Saul falling off a horse (which is not mentioned in the story) on the road to Damascus, seeing a blinding light and hearing the voice of Jesus. For Saul this is a moment of intense religious ecstasy: he is lying on ...
The painting depicts Saul, the king of the Israelites. He is visually touched by the harp playing. The depicted situation comes from 1 Samuel 16:14-23 and 1 Samuel 18:8-11, in which King Saul is abandoned by the Holy Spirit, and God sends him an evil spirit. It taunts Saul, and only David's harp playing can relax him.
The Conversion of Saint Paul, Luca Giordano, 1690, Museum of Fine Arts of Nancy The Conversion of Saint Paul, Caravaggio, 1600. The conversion of Paul the Apostle (also the Pauline conversion, Damascene conversion, Damascus Christophany and Paul's transformation on the road to Damascus) was, according to the New Testament, an event in the life of Saul/Paul the Apostle that led him to cease ...
1 Samuel 23:29 (24:1 in the Hebrew Bible) reports David's move to Engedi in the hilly area around the Dead Sea, while Saul, returning from a battle with the Philistines, was pursuing. [15] The section emphasizes two points: (1) David could have easily killed Saul and thereby seized the kingship, but (2) he resisted the temptation to kill 'the ...
The Suicide of Saul is an early attempt by Bruegel to reconcile landscape and figure painting. Despite the scale of the subject, at 33.5 cm × 55 cm (13.2 in × 22 in) it is rather small compared to his later landscape subjects, but has an "astonishingly dense and highly dramatic composition". [ 2 ]
Saul's attitude toward David was excused by arguing that his courtiers were all tale-bearers, and slandered David to him; [81] and in like manner he was incited by Doeg against the priests of Nob [82] —this act was forgiven him, however, and a heavenly voice was heard, proclaiming: "Saul is the chosen one of God". [83]
Jabesh-Gileadites recover the bodies of Saul and his sons, Gustave Doré. The men of Jabesh-gilead, remembering Saul's action on their behalf (1 Samuel 11:1–13), came to take the bodies of Saul and his sons for cremation and burial, a more honorable treatment than that of the Philistines to the bodies of Saul and his sons. [17] [18]