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Demons (Italian: Dèmoni) is a 1985 Italian horror film [4] directed by Lamberto Bava, produced and co-written by Dario Argento, and starring Urbano Barberini and ...
Geretta Geretta (born July 14, 1958) is an American actress, director and screenwriter who has worked in Ireland, South Africa, Italy, Switzerland, and the United States. . Her film roles include several Italian horror films, including Lucio Fulci's Murder Rock (1984) and Lamberto Bava's Demons (198
Demons 2 (Italian: Dèmoni 2) is a 1986 Italian horror film directed by Lamberto Bava and produced by Dario Argento.It is a sequel to Bava's 1985 film Demons and stars David Knight, Nancy Brilli, Coralina Cataldi Tassoni, as well as Argento's youngest daughter, Asia Argento, in her debut film performance at age 10.
The Cave of the Demons; The Cellar (2022 film) Cellar Dweller; Chhota Bheem and the Curse of Damyaan (2012 film) Chhota Bheem and the Curse of Damyaan (2024 film) A Chinese Ghost Story; A Chinese Ghost Story II; A Chinese Ghost Story (2011 film) A Chinese Odyssey Part Three; The Chosen (2015 film) The Church (1989 film) The Cleansing Hour; The ...
The Church was partially shot at Matthias Church in Budapest.. In an interview conducted on January 22, 1988, directors Lamberto Bava and Dario Argento were discussing a follow-up to Demons 2 stating that they were working on a follow-up film, with Argento stating it would not be called Demons 3, but potentially Ritorno alla casa dei demoni (transl. Return to the House of the Demons). [2]
Demons; Demons 2; The Demons of Ludlow; Demon House; Drag Me to Hell; Devil in My Ride; The Devil Inside; The Devil's Advocate; The Devil's Carnival; The Devil's Carnival: Alleluia! The Devil's Nightmare; The Devil's Rock; Dante's Inferno (1924) Dante's Inferno: An Animated Epic [9] Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train; The ...
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Time Out reviewed Daemon, stating that it is "bound to grip young audiences". [2] In his book British Children's Cinema: From the Thief of Bagdad to Wallace and Gromit, Noel Brown states that the film "raises issues of alienation and depression among young people. while satirising the portentousness and moral binaries of supposedly more 'adult' films."
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