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The tondo as a format for painting and relief sculpture was a quintessential product of the Florentine Renaissance. During the century after 1430, all the leading artists created tondi, including Filippo Lippi, Botticelli, Luca Signorelli, Piero di Cosimo, Fra Bartolomeo, Andrea del Sarto, Leonardo da Vinci (in a lost work), and Raphael.
According to art historian Roberta Olson, Michelangelo's "only documented and securely attributed panel painting" was a tondo -- the Doni Tondo at the Uffizi. [4] Michelangelo also created, at the time he was sculpting his David, two carved marble tondi -- the Taddei Tondo and the Pitti Tondo. [6]
Taddei Tondo The Pitti Tondo ( Tondo Pitti ) is an unfinished marble relief of the Virgin and Child by Michelangelo in round or tondo form. It was executed between 1503 and 1504 while he was residing in Florence and is now in the Museo nazionale del Bargello in Florence .
The Santo Niño de Tondo is a Catholic title of the Child Jesus associated with a religious image of the Christ Child. [1] The image was brought to the Philippines during the expedition of Miguel López de Legazpi in 1572, and is the second-oldest image of the Child Jesus in the Philippines after the Santo Niño de Cebú.
Eduardo Castrillo, commonly known as 'Ed', was born in Santa Ana, City of Greater Manila (now part of Manila), Philippines, on October 31, 1942, the youngest of five children to Santiago Silva Castrillo and Magdalena De los Santos.
The most famous fruit of Beaumont's patronage is the Constable's painting of the cenotaph erected to Reynolds in the grounds at Coleorton (painted 1833–6; now in the National Gallery). Taddei Tondo (Michelangelo, c. 1504–5)
Tondo (art), a circular painting or sculpture; Tondo, Manila, a district of Manila; Tondo (historical polity), an early historic polity on the north side of the Pasig River delta in Luzon, Philippines; a predecessor of the modern-day district Tondo Conspiracy, a plot against Spanish colonial rule by Tagalog and Kapampangan noblemen in 1587 ...
Damian Domingo's contribution to the development of art as an academic discipline in the Philippines was seminal. He took an important step toward his vision of making art more accessible in 1821, when he established a school for artists in his residence in Tondo. It was a major leap for the discipline in the Philippines.