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James the Just, or a variation of James, brother of the Lord (Latin: Iacobus from Hebrew: יעקב, Ya'aqov and Ancient Greek: Ἰάκωβος, Iákōbos, can also be Anglicized as "Jacob"), was, according to the New Testament, a brother of Jesus. He was the first leader of the Jerusalem Church of the Apostolic Age.
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]
The author of the epistle of James introduces himself as "James, a servant of God and of the Lord Jesus Christ". [26] He does not identify himself as the brother of Jesus or an apostle or a leader of the church in any way, [ 18 ] but one recent study characterises this letter as "the most Jewish text in the New Testament". [ 27 ]
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Psalm 90 (89):3 of the King James Version: "Thou turnest man to destruction; and sayest, Return, ye children of men") James refers to her story as a "Christian fable" [57] while Cuarón describes it as "almost like a look at Christianity": "I didn't want to shy away from the spiritual archetypes", Cuarón told Filmmaker Magazine.
Paintings based on the Hebrew Bible (2 C, 15 P) Paintings based on the New Testament (6 C, 5 P) D. Paintings of people in the deuterocanonical books (3 C, 2 P)
In the indefinite form ("son of Adam", "son of man", "like a man") used in the Hebrew Bible, it is a form of address; or it contrasts humans with God and the angels; or it contrasts foreign nations (like the Sasanian Empire and Babylon), which are often represented as animals in apocalyptic writings (bear, goat, or ram), with Israel which is ...
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