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On Wednesday, the NMPA sued Roblox seeking monetary damages of at least $200 million, alleging the platform allows rampant unauthorized use of songs without paying songwriters or copyright holders.
Everywhere at the End of Time [a] (commonly shortened to EATEOT) is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of dementia and related neurological conditions.
The music she heard was similar to the hymns and songs sung at her wedding. She had been widowed for a while and had no signs of psychiatric disorders. However, she did have hypertension , hyperthyroidism , and osteoporosis , and it was theorized that the distress from these illnesses manifested the hallucinations.
Rob Nelson in his review for Variety said that "Michael Rossato-Bennett captures some amazingly transformative results in the treatment of dementia through music." [ 8 ] He writes that the "over-the-top narration often sounds cloying and banal," but Nelson endorses the medical and historical context of the film. [ 8 ]
It is hoped the therapy could reduce the need for health and care services and improve people’s quality of life.
In June, a group of music publishers sued Roblox through the NMPA for $200 million-plus, claiming copyright infringement by the company. The agreement settles claims filed by NMPA members,
"Dementia" was written and produced by Adam Young. The song is a Blink-182-inspired track and has been described as a rock track. [10] [2] Speaking about how the collaboration came together, Young stated, "Somehow my track made its way to his inbox and he liked it enough to come so we hung out in the studio and recorded his vocals and he's exactly the way I thought he would be."
"No One Hurts Me More Than Me" is a song recorded by Canadian country music artist Chris Cummings. It was released in 2000 as the second single from his second studio album, Lonesomeville . It peaked at number 7 on the RPM Country Tracks chart in August 2000.