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Ambition is a character trait that describes people who are driven to better their station or to succeed at lofty goals. It has been categorized both as a virtue and as a vice. The use of the word "ambitious" in William Shakespeare 's Julius Caesar (1599), for example, points to its use to describe someone who is ruthless in seeking out ...
Ambition, Ambitions or Ambitious may refer to: Ambition (character trait) Music. Ambitions, a 2017 album by One Ok Rock; Ambition (Tommy Shaw album), 2014;
The term is now used in at least two different ways, stemming from LeClair's thesis though with different emphases. One highlights bulk, broadness of scope, range of content and greatness of ambition. The other highlights engagement with scientific and technological concepts such as information theory, complexity and emergence. Some systems ...
Ambition is the desire for attainment, power, or superiority. In contrast to ambition, grit is not associated with seeking fame or external recognition for achievements. Ambition is often associated with a desire for fame. [22] Unlike ambitious people, gritty people do not seek to distinguish themselves from others, but to achieve personal goals.
Earthly Powers is a panoramic saga novel of the 20th century by Anthony Burgess first published on October 13th 1980. It begins with the "outrageously provocative" [1] first sentence: "It was the afternoon of my eighty-first birthday, and I was in bed with my catamite when Ali announced that the archbishop had come to see me."
Daedalus warned Icarus not to fly too close to the sun or too low to the sea. Overwhelmed with the excitement of flying, Icarus flew much too high, and as a result the wax melted and his feathers fell off. Down Icarus plunged into the sea, and indeed into death as well. The story of Icarus is often used to signify the dangers of over-ambition. [3]
The Latin word ambitus is the origin of the English word "ambition" which is another of its original meanings; ambitus was the process of "going around and commending oneself or one's protégés to the people," an activity liable to unethical excesses. [1]
Some examples of topoi are the following: the locus amoenus (for example, the imaginary world of Arcadia) and the locus horridus (for example, Dante's Inferno); the idyll; cemetery poetry (see the Spoon River Anthology); love and death (in Greek, eros and thanatos), love as disease and love as death, (see the character of Dido in Virgil's Aeneid);