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The depiction of winter landscapes in Western art begins in the 15th century, as does landscape painting in general. Wintry and snowy landscapes are very rarely seen in earlier European painting since most of the subjects were religious. Gold ground paintings had no painted backgrounds and other narrative scenes had highly stylized trees and ...
Winter Landscape with a Bird Trap, also known as The Bird Trap, is a panel painting in oils by the Flemish painter Pieter Bruegel the Elder, from 1565, now in the Oldmasters Museum in Brussels. It shows a village scene where people skate on a frozen river, while on the right among trees and bushes, birds gather around a bird trap .
Challenges include the type of paint used to paint outdoors, animals, bugs, onlookers, and environmental conditions such as weather. Acrylic paint may harden and dry quickly in warm, sunny weather, and it cannot be reused. On the opposite side of the spectrum is the challenge of painting in moist or damp conditions with precipitation.
Snow at Argenteuil (French: Rue sous la neige, Argenteuil) is an oil-on-canvas landscape painting by the Impressionist artist Claude Monet.It is the largest of no fewer than eighteen works Monet painted of his home commune of Argenteuil while it was under a blanket of snow during the winter of 1874–1875.
A bird trap is seen to the left among other farm implements and the whole scene is overshadowed by a church to the left. Winter Landscape with Skaters is considered one of Avercamp's earliest works, and is painted in a style strongly reminiscent of Pieter Bruegel the Elder's 1565 painting Winter Landscape with Ice skaters and Bird trap. Some ...
Thereafter, Moras's works were continually shown, in small numbers, at major Berlin art exhibits. Moras also participated in exhibits in Bremen, Oldenburg and Munich. At Eschke's recommendation, the young Moras painted scenes in Mecklenburg and on the large, craggy German island of Rügen. He also painted in Norway, the Netherlands and Italy.
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