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'Move It on Over' hits right home, 'cause half of the people he was singing to were in the doghouse with the ol' lady." [8] "Move It on Over" was Williams' first major hit, reaching #4 on the Billboard Most Played Juke Box Folk Records chart and got him a write up in The Alabama Journal. The revenue generated by the song was the first serious ...
move to sidebar hide (Top) ... The following is a list of commonly used chord progressions in music. Code Major: Major: Minor: Minor: ... I–V–vi–IV chord ...
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
Prelude in G minor, Op. 23, No. 5, is a piece of music by Sergei Rachmaninoff, completed in 1901. [1] It was included in his Opus 23 set of ten preludes, despite having been written two years earlier than the other nine. Rachmaninoff himself premiered the piece in Moscow on February 10, 1903, along with Preludes No. 1 and 2 from Op. 23. [1]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Move It On Over is the second studio album by American blues rock band George Thorogood and the Destroyers. It was released in 1978 by the label Rounder Records. The album peaked at No. 33 on the Billboard 200 chart, [1] and was on the chart for 47 weeks. [2] The album contains all cover material.
Sergei Rachmaninoff's Prelude in C-sharp minor (Russian: Прелюдия, romanized: Prelyudiya), Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces titled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form.
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
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