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The Requiem, Op. 9, is a 1947 (revised 1961) setting of the Latin Requiem by Maurice Duruflé for a solo baritone, mezzo-soprano, mixed choir, and organ, or orchestra with organ.
In 1943 he became Professor of Harmony at the Conservatoire de Paris, [3] where he worked until 1970; among his pupils were the revered organists Pierre Cochereau, Jean Guillou and Marie-Claire Alain. [2] In 1947 he completed probably the most famous of his few pieces: the Requiem op. 9, for soloists
An exclusive recording artist for Deutsche Grammophon since 1990, many of his numerous recordings have won international prizes and awards. These include Olivier Messiaen's Turangalîla-Symphonie and Éclairs sur l'au-delà…, Verdi's Otello, Berlioz's Symphonie fantastique, and Shostakovich's Lady Macbeth of Mtsensk with the Bastille Opera ...
Mark Rochester of Gramophone writes of the 'highly polished, virtually flawless sound of the Houston Chamber Choir' on the project. [6] James Manheim of AllMusic writes 'The album presents all of Duruflé's choral music, which fits conveniently on one CD, and it offers both distinctive performances and really superb recording of an impressive organ.'. [7]
Durufle Requiem - Vasari singers / Backhouse, Sarah Connolly, Christopher Maltman and Jeremy Filsell: Signum Records: 2012 Saint-Saens Piano Quartet, Piano Quintet and Barcarolle - Fine Arts Quartet, Ortiz: Naxos: 2013 Lutoslawski Cello Concerto - Sinfonia Varsovia / Maksymiuk: BeArton 2014 Mozart Piano Concertos 20, 21 arr. Lachner - Fine Arts ...
Made the world premiere recording of the two-piano arrangement of Grieg's Concerto in A minor, written by Grieg and Károly Thern. Also the first recording of Grieg's piano version of the "Homage March" from Sigurd Jorsalfar. [12] They have recorded the piano duet version of Chopin's 2nd Piano Concerto in F minor (arr. Chopin and Carl Mikuli ...
Maurice Duruflé composed the four motets in 1960, based on Gregorian themes, as he had done before in his Requiem of 1948. He set Latin texts, scored for unaccompanied voices: a mixed choir in Nos. 1, 3 and 4, and a women's choir in No. 2. [1] Duruflé dedicated the work to Auguste Le Guennant, the director of the Gregorian Institute of Paris. [2]
Jean Victor Arthur Guillou (18 April 1930 – 26 January 2019) was a French composer, organist, pianist, and pedagogue.Principle Organist at Saint Eustache in Paris, from 1963 to 2015, he was widely known as a composer of instrumental and vocal music focused on the organ, as an improviser, and as an adviser to organ builders.
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