Search results
Results from the WOW.Com Content Network
In Romeo and Juliet, Shakespeare employs several dramatic techniques that have garnered praise from critics, most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives).
In the Elizabethan era, research has been conclusive about how many actors and troupes there were in the 16th century, but little research delves into the roles of the actors on the English renaissance stage. The first point is that during the Elizabethan era, women were not allowed to act on stage. The actors were all male; in fact, most were ...
A reconstruction of the Curtain Theatre is used in the 1998 film Shakespeare in Love. [28] The theatre is the main setting for the jukebox musical & Juliet, which takes place during the first performance of Romeo and Juliet. [29]
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature.In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first ...
'Romeo & Juliet' Mania: The Resurgence on the Global Stage, from Broadway to the West End, Explained ... Shakespeare’s plays often touch on general-enough themes that they can serve as a mirror ...
The Rose appears to have differed from other theatres of the era in its ability to stage large scenes on two levels. It is thought that all Elizabethan theatres had a limited capability to stage scenes "aloft," on an upper level at the back of the stage – as with Juliet at her window in Romeo and Juliet , II.ii.
The boy player has been a popular subject in literary, theatrical and cinematic representations of the Elizabethan theatre. The film Shakespeare in Love features a boy player (played by Daniel Brocklebank) who performs Juliet in Romeo and Juliet before being ousted by Gwyneth Paltrow's character (who is disguised as a man).
The Globe, like London's other open-roofed public theatres, employed a thrust-stage, covered by a cloth canopy. A two-storey facade at the rear of the stage hid the tiring house and, through windows near the top of the facade, opportunities for balcony scenes such as the one in Romeo and Juliet.