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The plan leads to what is commonly called the "Nunnery Scene", [6] from its use of the term nunnery which would generally refer to a convent, but at the time was also popular slang for a brothel. [7] Polonius instructs Ophelia to stand in the lobby of the castle while he and Claudius hide.
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Hendiadys is one rhetorical type found in several places in the play, as in Ophelia's speech after the nunnery scene ("The expectancy and rose of the fair state" and "I, of all ladies, most deject and wretched" are two examples). Many scholars have found it odd that Shakespeare would, seemingly arbitrarily, use this rhetorical form throughout ...
Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance, musing whether "to be or not to be". When Ophelia enters and tries to return Hamlet's things, Hamlet accuses her of immodesty and cries "get thee to a nunnery", though it is unclear whether this, too, is a show of madness or genuine distress.
The context of the scene suggests that a nunnery would not be a brothel, but instead a place of renunciation and a "sanctuary from marriage and from the world's contamination". [101] Thompson and Taylor consider the brothel idea incorrect considering that "Hamlet is trying to deter Ophelia from breeding ".
[18] In contrast, Jean Simmons' Ophelia is destroyed by Hamlet's treatment of her in the nunnery scene. According to J. Lawrence Guntner, the style of the film owes much to German Expressionism and to film noir: The cavernous sets featuring narrow winding stairwells correspond to the labyrinths of Hamlet's psyche. [19]
The audience gets involved during this segment when one audience member is asked to portray Ophelia for the Nunnery Scene. The rest of the audience makes up Ophelia's subconscious , divided into three sections representing her ego, superego, and id .
Hamlet Act 2, scene 2, 431–440 ...brevity is the soul of wit, ... Get thee to a nunnery (occurs several places in this scene) O, woe is me, Scene 2
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