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The most prominent feature in musical Impressionism is the use of "color", or in musical terms, timbre, which can be achieved through orchestration, harmonic usage, texture, etc. [3] Other elements of musical Impressionism also involve new chord combinations, ambiguous tonality, extended harmonies, use of modes and exotic scales, parallel ...
The term is used to describe a work of literature characterized by the selection of a few details to convey the sense impressions left by an incident or scene. This style of writing occurs when characters, scenes, or actions are portrayed from a subjective point of view of reality. [3]
The work is in a single movement, typically lasting between four and half and six minutes in performance. Jeux d'eau has a claim to being the first example of impressionism in piano music. [1] The piece is known for its virtuosic, fluid, and highly evocative nature, and is considered one of Ravel's most important works for piano.
Musical style diverged during the 20th century as it never had previously, so this century was without a dominant style. Modernism , impressionism , and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that ...
Young Poland (Polish: Młoda Polska [ˈmwɔ.da ˈpɔl.ska] ⓘ) was a modernist period in Polish visual arts, literature and music, covering roughly the years between 1890 and 1918. It was a result of strong aesthetic opposition to the earlier ideas of Positivism. Young Poland promoted trends of decadence, neo-romanticism, symbolism ...
Estampes by Claude Debussy English Prints Catalogue L. 100 Genre Impressionism Composed 1903 Performed January 9, 1904 ; 121 years ago (1904-01-09) Salle Érard, Paris, France Estampes (Prints), L. 100, is a composition for solo piano by Claude Debussy. It was finished in 1903. The first performance of the work was given by Ricardo Viñes at the Salle Érard of the Société nationale de ...
Expressionist music would "thus reject the depictive, sensual qualities that had come to be associated with impressionist music. It would endeavor instead to realize its own purely musical nature—in part by disregarding compositional conventions that placed 'outer' restrictions on the expression of 'inner' visions". [3]
Liszt's work also foreshadowed the impressionism that would characterize the work of Debussy and Ravel, as shown in Les Jeux d'Eaux à la Villa d'Este (The Fountains of the Villa d'Este) from the third volume of Années de Pèlerinage. Another precursor of impressionism is Nuages gris, which won the admiration of both Debussy and Stravinsky.