Search results
Results from the WOW.Com Content Network
In these works, different sections and/or instruments of the orchestra or concert band are treated at one point or another as soloists with emphasis on solo sections and/or instruments changing during the piece. Some examples include those written by: Hindemith – Op. 38, 1925; Kodály – 1940; Bartók – Concerto for Orchestra – 1945
A piano concerto, a type of concerto, is a solo composition in the classical music genre which is composed for piano accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuosic showpieces which require an advanced level of technique.
The concerto grosso (pronounced [konˈtʃɛrto ˈɡrɔsso]; Italian for big concert(o), plural concerti grossi [konˈtʃɛrti ˈɡrɔssi]) is a form of baroque music in which the musical material is passed between a small group of soloists (the concertino) and full orchestra (the ripieno, tutti or concerto grosso).
Concerto for Piano and Orchestra No. 1, Op. 30 (1938) Concerto for Piano and Orchestra No. 2, Op. 131 (1967) Concerto for Piano and Orchestra No. 3, Op. 162 (1973) John Adams. Grand Pianola Music (1982) Eros Piano (1989) Century Rolls for piano and orchestra (1997) Must the Devil Have All the Good Tunes? (2018) Richard Addinsell. Warsaw ...
Muzio Clementi - Sonata quasi Concerto, Op. 33 No. 3; Frédéric Chopin's Allegro de concert Op. 46 (1841) is a single movement piece, which was intended to form part of what would have become Chopin's 3rd concerto for piano and orchestra. Franz Liszt – Concerto sans Orchestra S.524a (1839-1857) Igor Stravinsky – Concerto per due pianoforti ...
Early Romantic concertos include Weber's two piano concertos (1810-12) and two clarinet concertos (1811), Mendelssohn's two piano concertos (1831–37) and his important Violin Concerto (1844) and Schumann's concertos for piano (1845), cello (1850), and violin (1853). The form of these works is predominantly in the Classical three-movements.
Concerto for Orchestra, by Tadeusz Szeligowski (1930) Concerto for Orchestra, Op. 43, by Adolf Busch (published 1931) [2] Concerto for Orchestra, by Gian Francesco Malipiero (1931) Concerto for Orchestra, Op. 24, by Knudåge Riisager (1931) Philharmonic Concerto, by Paul Hindemith (1932) Concerto per orchestra in Do maggiore, by Mario Pilati (1933)
For the least often used keys in orchestral music, the piano concerto listed might be famous only for being in that key. Technically, the piano can play in any key, and the unaccompanied solo piano repertoire abounds in keys that are used less frequently in orchestral music. Even so, some preferences manifest themselves.