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In these works, different sections and/or instruments of the orchestra or concert band are treated at one point or another as soloists with emphasis on solo sections and/or instruments changing during the piece. Some examples include those written by: Hindemith – Op. 38, 1925; Kodály – 1940; Bartók – Concerto for Orchestra – 1945
A piano concerto, a type of concerto, is a solo composition in the classical music genre which is composed for piano accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuosic showpieces which require an advanced level of technique.
Concerto for Piano and Orchestra No. 1, Op. 30 (1938) Concerto for Piano and Orchestra No. 2, Op. 131 (1967) Concerto for Piano and Orchestra No. 3, Op. 162 (1973) John Adams. Grand Pianola Music (1982) Eros Piano (1989) Century Rolls for piano and orchestra (1997) Must the Devil Have All the Good Tunes? (2018) Richard Addinsell. Warsaw ...
The Brandenburg Concerto No. 1, BWV 1046.2 (BWV 1046), [23] is the only one in the collection with four movements. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), [24] which appears to have been composed during Bach's years at Weimar.
Muzio Clementi - Sonata quasi Concerto, Op. 33 No. 3; Frédéric Chopin's Allegro de concert Op. 46 (1841) is a single movement piece, which was intended to form part of what would have become Chopin's 3rd concerto for piano and orchestra. Franz Liszt – Concerto sans Orchestra S.524a (1839-1857) Igor Stravinsky – Concerto per due pianoforti ...
Concerto for Orchestra, by Tadeusz Szeligowski (1930) Concerto for Orchestra, Op. 43, by Adolf Busch (published 1931) [2] Concerto for Orchestra, by Gian Francesco Malipiero (1931) Concerto for Orchestra, Op. 24, by Knudåge Riisager (1931) Philharmonic Concerto, by Paul Hindemith (1932) Concerto per orchestra in Do maggiore, by Mario Pilati (1933)
For example, the piano concerto may well not include a well-defined second group of subjects in the prelude; and in particular, does not include a definitive modulation to the dominant in this section, as might be expected from sonata form, even though Mozart feels free to shift the sense of tonality around in this and other sections. The ...
Early Romantic concertos include Weber's two piano concertos (1810-12) and two clarinet concertos (1811), Mendelssohn's two piano concertos (1831–37) and his important Violin Concerto (1844) and Schumann's concertos for piano (1845), cello (1850), and violin (1853). The form of these works is predominantly in the Classical three-movements.