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After the Great Fire of Rome occurred in July AD 64, it was rumored that Nero had ordered the fire to clear space for a new palace, the Domus Aurea. [6] [page needed] At the time of the fire Nero may not have been in the city but 35 miles away at his villa in Antium, [7] and possibly returned to the city before the fire was out. [8]
It depicts a group of Early Christian martyrs who are about to be burned alive as the alleged perpetrators of the Great Fire of Rome, during the reign of emperor Nero in 64 AD. People from many different social spheres, including the emperor himself, are present to watch the burning, which takes place in front of the Domus Aurea.
The Fire of Rome by Hubert Robert (1785) The Great Fire of Rome began on the night of 18 to 19 July 64, probably in one of the merchant shops on the slope of the Aventine overlooking the Circus Maximus, or in the wooden outer seating of the Circus itself. Rome had always been vulnerable to fires, and this one was fanned to catastrophic ...
The Roman elite despised Emperor Nero’s “artistic endeavors,” a historian said. Nero’s theater — where audience may have sat on ‘pain of death’ — discovered in Rome Skip to main ...
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Suetonius recounts how Nero, while watching Rome burn, exclaimed how beautiful it was, and sang an epic poem about the sack of Troy while playing the lyre. Suetonius describes Nero's suicide, and remarks that his death meant the end of the reign of the Julio-Claudians (because Nero had no heir). According to Suetonius, Nero was condemned to die ...
The Classical Journal: explores the history behind the legend of Nero playing the fiddle as Rome burned. Wishart, David. 1996. Nero: Nero's reign seen through the eyes of Titus Petronius. Massie, Allan. 1999. Nero's Heirs: The death of Nero and the civil war that followed. Holt, Tom. 2003. A Song for Nero: Nero's double is killed, and the real ...
To enter our Rome gates." In Miguel de Cervantes's Don Quixote The image of Nero watching the burning of Rome is related to the fires of passion. In Part 1, Chapter 14 Ambrosio accuses Marcela of being a cruel Nero.