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Oikonomos (Greek: οἰκονόμος, from οἰκο - 'house' and - νόμος 'rule, law'), Latinized œconomus, oeconomus, or economos, was an Ancient Greek word meaning "household manager." In Byzantine times, the term was used as a title of a manager or treasurer of an organization.
The Oeconomicus (Ancient Greek: Οἰκονομικός) by Xenophon is a Socratic dialogue principally about household management and agriculture. Oeconomicus comes from the Ancient Greek words oikos for home or house and nemein which means management, [1] literally translated to 'household management'.
Oikonomos was a household manager in Ancient Greece, or a treasurer of an organization. It may also refer to: The etymology of the word economy; Oikonomos Tsaritsani F.C., a Greek football club; Oikonomos, a photograph series by Edson Chagas
The entire work is framed in terms of explaining art, its symbols and meaning, to a young audience. The author of the work in the introduction states that the ten-year-old son of his host was the immediate cause of the composition of this work and that the author will structure the book and each of its chapters as if this boy is being addressed.
[1] [b] The art historian Mary B. Moore has emphasized the pathos of the image of Hector, suggesting that the intensity of his parents' gaze towards him indicates their knowledge that he will die in the Trojan War, and linked the vase with other contemporary works that use the heroes of the Trojan Cycle as vehicles for sympathy and tragedy. [24]
Rigas Feraios (Greek: Ρήγας Φεραίος pronounced [ˈriɣas fɛˈrɛɔs], sometimes Rhegas Pheraeos; Aromanian: Riga Fereu [1]) or Velestinlis (Βελεστινλής pronounced [vɛlɛstinˈlis], also transliterated Velestinles); 1757 – 24 June 1798), born as Antonios Rigas Velestinlis (Greek: Αντώνιος Ρήγας Βελεστινλής), [2] was a Greek writer, political ...
Pliny attributed the work, then in the palace of Emperor Titus, to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros, and Polydorus, but he did not mention the date or patron. In style it is considered "one of the finest examples of the Hellenistic baroque" and certainly in the Greek tradition. [8]
Herakles fights Busiris, pelike by the Pan Painter, circa 470 BC. Athens, National Museum. In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style.