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Tchavolo Schmitt (left) with Steeve Laffont, playing their brand of gypsy jazz at la Chope des Puces, Paris, in 2016. Gypsy jazz (also known as sinti jazz, gypsy swing, jazz manouche or hot club-style jazz) is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The term Gypsy scale refers to one of several musical scales named after their support of and association with Romani or "Gypsy" music, the latter being considered derogatory. Double harmonic scale (major), the fifth mode of Hungarian minor, or Double Harmonic minor, scale, also known as the Byzantine scale.
The Phrygian dominant is also known as the Spanish gypsy scale, because it resembles the scales found in flamenco and also the Berber rhythms; [4] it is the fifth mode of the harmonic minor scale. Flamenco music uses the Phrygian scale together with a modified scale from the Arab maqām Ḥijāzī [5] [6] (like the Phrygian dominant but with a ...
The smallest pitch difference between notes (in most Western music) (e.g. F–F#). Jazz, blues, and various non-Western musics use quarter tones, a smaller subdivision of pitch. session musician, session player, or session man. In jazz and popular music, this refers to a highly skilled, experienced musician who can be hired for recording sessions.
Hungarian minor scale, double harmonic minor scale, Gypsy minor scale: Oriental mode: Ionian ♯2 ♯5 scale: Locrian 3 7 scale Dorian harmonic (♯4) scale Ukrainian Dorian scale, Romanian minor scale, altered Dorian scale, Dorian harmonic (♯4) scale: Phrygian dominant scale, altered Phrygian scale, dominant ♭2 ♭6 scale (in jazz ...
Gypsy (Aeolian ♯ 4) scale on C. An alternative (and less common) version is the asymmetric Aeolian ♯4 scale, the only difference with the Hungarian minor scale being that the 7th degree of the scale is not raised. [12] [13] This form of the scale can also be used in the fourth mode and would then be referred to as the Neapolitan scale.
Many "jazz scales" are common scales drawn from Western European classical music, including the diatonic, whole-tone, octatonic (or diminished), and the modes of the ascending melodic minor. All of these scales were commonly used by late nineteenth and early twentieth-century composers such as Rimsky-Korsakov , Debussy , Ravel and Stravinsky ...
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