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Two inventories of 1539 and 1543 list the tapestries of James V. [22] Some of these had belonged to James IV, though Gavin Douglas said that Regent Albany had cut up royal crimson and purple hangings to make clothes for his servants and pages, [23] but many were bought by James V, or were presents from Francis I of France on his marriage to Madeleine of Valois. [24]
Weaving a small tapestry on a high-warp loom, 2022, New Zealand One of the tapestries in the series The Hunt of the Unicorn: The Unicorn is Found, circa 1495–1505, The Cloisters, Metropolitan Museum of Art, New York City. Tapestry is a form of textile art, traditionally woven by hand on a loom. Normally it is used to create images rather than ...
This large, mid-19th century Moroccan wall hanging, or haiti, is a highlight of the textile collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Made in the cultural center of Fez , it is crafted of the finest materials: silk velvet embroidered with gold metallic thread.
The Duc d’Antin ordered a set for himself in 1721 or 1722 – he wanted a series with modified dimensions to function as wide wall hangings. [9] The second weaving of 12 pieces was given to the Spanish ambassador in 1745. [9] The third weaving was made in 1733 and a fourth from 1746 to 1749 (12 pieces) that was sold to the Duke of Parma.
European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art. (2 vols.). New York: The Metropolitan Museum of Art. ISBN 0-87099-406-9. Wingfield Digby, G F (1980). The Victoria and Albert Museum. The Tapestry Collection : Medieval and Renaissance. London: Her Majesty's Stationery Office. ISBN 0-11-290246-4.
Other wall hangings were designed to be sold off the shelf of the new Morris and Company shop on Oxford Street which owned in 1877. Later, he and his daughter May made designs for panels for "embroider yourself" kits for cushion covers, fireplace screens, doorway curtains, bedcovers and other household objects.
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