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Pygmalion is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera Le devin du village.Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment).
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
Pygmalion Adoring His Statue by Jean Raoux, 1717. In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus. He is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a ...
Pimmalione (Pygmalion) is an opera in one act by Luigi Cherubini, first performed at the Théâtre des Tuileries, Paris, on 30 November 1809.The libretto is an adaptation by Stefano Vestris [1] of Antonio Simone Sografi's Italian translation of the text Jean-Jacques Rousseau wrote for his scène lyrique Pygmalion (1770).
Pygmalion (Ancient Greek: Πυγμαλίων Pugmaliōn; Latin: Pygmalion) was king of Tyre [1] from 831 to 785 BCE and a son of King Mattan I (840–832 BC).. During Pygmalion's reign, Tyre seems to have shifted the heart of its trading empire from the Middle East to the Mediterranean, as can be judged from the building of new colonies including Kition on Cyprus, Sardinia (see Nora Stone ...
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
Il Pigmalione (Pygmalion) is a scena lirica (lyric scene or opera) in one act by Gaetano Donizetti.The librettist is unknown, but it is known that the libretto was based on one by Antonio Simeone Sografi for Giovanni Battista Cimador [] 's Pimmalione (1790), in turn based on Jean-Jacques Rousseau's Pygmalion [1] and ultimately based on Book X of Ovid's Metamorphoses. [2]
The Pygmalion effect is a psychological phenomenon in which high expectations lead to improved performance in a given area and low expectations lead to worse performance. [1] It is named after the Greek myth of Pygmalion , the sculptor who fell so much in love with the perfectly beautiful statue he created that the statue came to life.