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Box braids are a type of hair-braiding style that is predominantly popular among African people and the African diaspora. This type of hairstyle is a "protective style" (a style which can be worn for a long period of time to let natural hair grow and protect the ends of the hair) and is "boxy", consisting of square-shaped hair divisions.
African-American, Afro-Latino and Caribbean folklore also relates multiple stories of cornrows being used to communicate or provide maps for slaves across the "New World". [8] [45] Today, such styles retain their link with Black self-expression and creativity, and may also serve as a form of political expression. [9] [46] [47]
Braids have been part of black culture going back generations. There are pictures going as far back as the year 1884 showing a Senegalese woman with braided hair in a similar fashion to how they are worn today. [13] Braids are normally done tighter in black culture than in others, such as in cornrows or box braids. While this leads to the style ...
Renaissance art largely excluded Black people, even as it emerged during the early phases of the transatlantic slave trade which ultimately brought 10.7 million African men, women and children to ...
African-American hair or Black hair refers to hair types, textures, and styles that are linked to African-American culture, often drawing inspiration from African hair culture. It plays a major role in the identity and politics of Black culture in the United States and across the diaspora . [ 1 ]
Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
Some African-American women were also active in the feminist art movement in the 1970s. Faith Ringgold made work that featured black female subjects and that addressed the conjunction of racism and sexism in the U.S., while the collective Where We At (WWA) held exhibitions exclusively featuring the artwork of African-American women. [54]
AfriCOBRA was founded on the South Side of Chicago by a group of artists intent on defining a "black aesthetic." AfriCOBRA artists were associated with the Black Arts Movement in America, a movement that began in the mid-1960s and that celebrated culturally-specific expressions of the contemporary Black community in the realms of literature, theater, dance and the visual arts. [6]