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Martin Pakledinaz (September 1, 1953 – July 8, 2012) was an American costume designer for stage and film.. He won his Tony Awards for designing the costumes for Thoroughly Modern Millie and the 2000 revival of Kiss Me, Kate, which also earned him the Drama Desk Award for Outstanding Costume Design.
In Mega Man 7, Mega Man 9, Mega Man 10 and Mega Man 11, he rescues Mega Man, as well as Proto Man in Mega Man 10, from pits. In Mega Man 8, he can assist Mega Man during the Rush Jet scenes, and also provides him with an energy barrier in Mega Man & Bass. He assists Duo and Proto Man as a temporary invincibility power-up in Power Fighters.
Mega Man (known as Rockman [a] in Japan) is a Japanese science fiction video game franchise developed and published by Capcom, featuring the protagonist of the same name. The original game was released for the Nintendo Entertainment System in 1987, and spawned a franchise that expanded to over 50 games on multiple systems.
Anna Biedrzycka Sheppard (born 18 January 1946) is a Polish costume designer. Sheppard made many films with directing masters like Steven Spielberg, Roman Polański, and Quentin Tarantino. She has earned three Academy Award for Best Costume Design nominations for Schindler's List (1993), The Pianist (2002), and Maleficent (2014).
Mega Man, known as Rockman (Japanese: ロックマン, Hepburn: Rokkuman) in Japan, is the title character and the protagonist of the Mega Man series by Capcom. [4] He was created by Akira Kitamura for the first Mega Man game released in 1987, with artist Keiji Inafune providing detailed character artwork based on Kitamura's pixel art design.
While working on “Shōgun,” costume designer Carlos Rosario created approximately 2,300 costumes for the FX limited series spanning 10 episodes. “It was massive. It was a huge show and a ...
The Protomen's work is inspired by the first six NES Mega Man games. [2] This franchise has an existing storyline featured in the games, manga, and anime; however, The Protomen have concocted a dark and dystopian version of the game's underlying world. The group is generally uninterested in concerns of making their story adhere to the original.
For the stage production, costume designer Susan Hilferty embedded color into Elphaba's black dresses, a look she told Playbill in 2018 was inspired by "looking at the stones in earth and gems."