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As the lacquer tree is not native to Okinawa, the key material needed to produce lacquerware could only be obtained by the Ryukyuans through trade. Though the islands were involved with trade with Japan and the Asian mainland for many centuries, it is generally believed that the presence and production of lacquerware in Ryukyu only began to any significant extent in the late 14th or early 15th ...
1,251 items, of which 85 are craft works and the remainder writings; the former comprise (a) royal costume (8 items): royal crown known as Hibenkan or Tamanchaabui, black silk with 288 gold, silver, crystal, and coral beads and a gold kanzashi engraved with a dragon; two ceremonial costumes of Chinese cloth; two belts - one with twenty previous ...
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
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Ryukyu Lacquer Production, Okinawa, Japan. Traditional Asian lacquer has been used for centuries [2] and is derived from sap, prominently that from the Urushi tree; part of the sumac family grown throughout Japan, China and Korea. [3] Sap from the tree contains a chemical compound called urushiol that hardens when exposed to humidity. [4]
Ryukyuan pottery first appeared during the Gusuku period (c. 1100s-1400s), when it was introduced from China.. Tsuboya became the centre of production in 1682 after the kilns of Chibana, Wakuta, and Takaraguchi were consolidated under the Ryukyu Kingdom government.
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