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Habib Jalib [a] (Punjabi pronunciation: [ɦəbib d͡ʒaːləb]; 24 March 1928 – 13 March 1993) was a Pakistani revolutionary poet and left-wing political activist who opposed martial law, authoritarianism, military dictatorship and state oppression. He wrote several poems in Punjabi and Urdu and was referred to as the "poet of the masses" by ...
Faiz Ahmad Faiz [a] MBE NI (13 February 1911 – 20 November 1984) [2] was a Pakistani poet and author of Punjabi and Urdu literature. Faiz was one of the most celebrated, popular, and influential Urdu writers of his time, and his works and ideas remain widely influential in Pakistan and beyond. [3]
Satbhai Champa (The Seven Brothers of Champa), juvenile poems, 1933; Nirjhar (Fountain), 1939; Natun Chand (The New Moon), 1939; Morubhaskar (The Sun in the Desert), 1951; Sanchayan (Collected Poems), 1955; Nazrul Islam: Islami Kobita (A Collection of Islamic Poems; Dhaka, Bangladesh: Islamic Foundation, 1982)
Akhtar was innovative and introduced new trends in Urdu poetry. At a very young age, he wrote philosophical and inspiring poems. He was called شاعرِ رومان (the poet of romance). [3] His best-known collections of poetry include Akhtaristan, Nigarshat-e-Akhtar, Lala-e-toor, Tayyur-e-Aawara, Naghma-e-Haram, Subh-e bahaar, and Shahnaz.
Ghulam Hamdani Mushafi, the poet first believed to have coined the name "Urdu" around 1780 AD for a language that went by a multiplicity of names before his time. [1] Mirza Muhammad Rafi, Sauda (1713–1780) Siraj Aurangabadi, Siraj (1715–1763) Mohammad Meer Soz Dehlvi, Soz (1720-1799) Khwaja Mir Dard, Dard (1721–1785)
Subh-e-Azadi (lit.'Dawn of Independence' or 'Morning of freedom' [4]), also spelled Subh-e-Aazadi or written as Subh e Azadi, is an Urdu language poem by a Pakistani poet, Faiz Ahmed Faiz written in 1947. [5] [6] The poem is often noted for its prose style, marxist perspectives
Shamsur Rahman (Bengali: শামসুর রাহমান; 23 October 1929 – 17 August 2006) was a Bangladeshi poet, columnist and journalist.A prolific writer, Rahman produced more than sixty books of poetry collection and is considered a key figure in Bengali literature from the latter half of the 20th century.
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